Rockstar movie theatrical trailer

Katiya Karoon Meaning

Katiya Karoon tera roon (कतिया करूं तेरा रूं) means I will spin your cotton. Basically katiya here means to spin cotton (सूत कातना), and roon here is rooi, that is cotton.

Hence, the meaning of the line Katiya karun tera roon main saari raat katiya karoon is I'll spin your cotton whole night, suggesting she'd do anything for him the whole night.

Sheher mein hoon main tere: Lyrics, Dialogs, Translation (Rockstar Movie)

Movie: Rockstar
Music: A R Rahman
Lyrics: Irshad Kamil
Singers: Mohit Chauhan

Sheher mein hoon main tere
Aake mujhe mil to le
Dena na tu kuch magar
Aake mera dil to tu le le jaana

(Dil to tu le ke jaana - kya baat hai!)

I am in your town,
at least come n meet me,
don't give me anything,
but at least come n take my heart o love..

Take!

Sheher mein hoon main tere
Aake mujhe mil to le
Dena na tu kuch magar
Aake mera dil to tu le le jaana sheher mein

Cut cut
Dhun thodi chhoot rahi hai
Ta ra ra - thhoo..
Ta ra ra - thhaa..
Ta ra ra - thhoo..
Phir Se sun lena

cut cut..
you are going a bit off the tune (said in passive)..
(music)
listen again..

Sheher mein hoon main tere
Aake mujhe mil to le
Dena na tu kuch magar
Aake mera dil to tu le le jaana

Chitthi daali thi aaunga main tere ghar
Mail bhi kiya tha maine teri ID par
(Haye haye! lyrics to dhoom macha dega UP Bihar mein)

I had sent u a letter (saying) that I'd come to your home..
I had also sent a mail on your ID..
(hey, these lyrics will be superhit in UP and Bihar)

Chitthi dali thi aaunga main tere ghar
Mail bhi kiya tha maine teri ID par

(Ok! Take)
Chitthi dali thi aaunga main tere ghar
Mail bhi kiya tha maine teri ID par

(Cut it, Tum sun nahi rahe ho yaar!)

(cut it, you are not listening man!)

Train ka bhi
Lodge ka bhi
Aake zara Bill to tu de de jaana

That of train,
and that of lodge,
come n pay the bills, oh love..

(catch mein thoda volume badha dena)

(increase the volume a bit in catch)

(take)

Train ka bhi
Lodge ka bhi
Aake zara Bill to tu de de jaana

Aaa..Dil toh dede jaana
is sheher mein
is sheher mein
aake mera dil toh le jaana.. Ooooo... ha!

(Aahaha re kya Ringtone bani!)

(wow what a ringtone has come out!)

Sheher mein hoon main tere
Aake mujhe mil to le
Dena na tu kuch magar
Aake mera dil to tu le le jaana

Chitthi dali thi aaunga main tere ghar
Mail bhi kiya tha maine teri ID par
Chitthi dali thi aaunga main tere ghar
Mail bhi kiya tha maine teri ID par

Train ka bhi
Lodge ka bhi
Aake zara Bill to tu de de jaana
Train ka bhi
Lodge ka bhi
Aake zara Bill to tu de de jaana aaa..

Dil to tu de de jaana...

Dosheeza meaning (Rockstar Movie)

So here is Kshitij Tarey singing ae dosheeza phir se mil, and making one wonder what or who a Dosheeza is. Well, dosheeza is an Urdu word for, one can say, a damsel, or to put it more simply a young unmarried woman, a girl, a maiden.

Tum ho paas mere: Lyrics, Translation (Rockstar Movie, Mohit Chauhan)

Movie: Rockstar
Music: A R Rahman
Lyrics: Irshad Kamil
Singers: Mohit Chauhan

Tum Ho..
Tum Ho Paas Mere
Saath Mere
Tum yoon
Jitna Mehsoos Karoon tumko
Utna Hi Paa Bhi Loon

You are..
You are near me,
with me,
you are..
so much I feel you,
as much I get you too..

Tum Ho Mere Liye
Mere Liye ho Tum yoon
Khud Ko Main Haar Gaya Tum Ko
Tumko main Jeeta Hoon

You are, for me,
for me, in such a way you are,
(that) I lost myself to you,
(and) I have won you (too)..

Kahin Se Kahin Ko Bhi
Aao Bewajah Chalen
Poochhe Bina Kisi Se
Hum Milen
Bandishen Na Rahi Koi Baaki Tum Ho

from anywhere to anywhere
let's go for no reason,
without asking anyone
we should meet
there are no barriers remaining.. (because) you are..

Tum Ho Paas Mere Saath Mere
Tum yoon
Jitna Mehsoos Karooon tumko
Utna Hi Paa Bhi Loon

Kis Tarah, Chheenega
Mujh Se Ye Jahaan Tumhe
Tum bhi Ho hai Kya Fikar Ab Humein

how will the world snatch
you away from me,
now you are there, what worry do I have..

Tum Ho Mere Liye
Mere Liye Ho Tum yoon
Khud Ko Main Haar Gaya tumko
Tum Ko Main Jeeta Hoon

Tum Ho..

O Naadaan Parindey Ghar aa ja: Lyrics, Translation (Rockstar Movie)

Movie: Rockstar
Music: A R Rahman
Lyrics: Irshad Kamil
Singers: Mohit Chauhan, A R Rahman

O naadaan parindey
ghar aa jaa..
ghar aa jaa..

O stupid bird,
come back home..
come back home..

kyun des bides phire maara
kyun haal behaal thaka haara
kyun des bides phire maara
tu raat biraat ka banjara

why do you wander country-country (in such bad shape)
why is your condition so bad, all tired-lost
why do you wander this country to that
you (have become) a nomad of nights..

sau dard badan pe phaile hain
har karam ke kapde maile hain

a hundred pains are spread on the body,
clothes of all compassion are dirty..
(guess that means, all the sources of compassion are not there for you right now)

kaate chahe jitna paron se hawa ko
khud se na bach payega tu
tod aasmanon ko phoonk de jahanon ko
khud ko chhhupa na payega tu
koi bhi le rasta
tu hai tu bebasta
apne hi ghar aayega tu

however much you cut the winds with your wings,
you'll not be able to fend yourself from yourself..
break the skies and burn the worlds,
but you can't hide yourself,
whatever path you take,
you are homeless (out there)
you will come to your home only..

o naadaaan...
o naadan parindey, ghar aa jaaa..
ghar aa ja. ghar aa ja. ghar aa ja.

kaaga re kaaga re mori itni araj tujhse chun chun khaiyo maans
khaiyo na tu naina more, khaiyo na tu naina mohe piya ke milan ki aas..

O crow, I have so much of request to you, eat (my body's) flesh,
but do not eat my eyes, don't eat my eyes as I have a wish to see my lover..

Aur ho saans ka shor ho: Lyrics, Translation (Rockstar)

Movie: Rockstar
Music: A R Rahman
Lyrics: Irshad Kamil
Singers: Mohit Chauhan, Alma Ferovic

meri bebasi ka bayaan hai
bas chal raha na is ghadi..
ras hasrat ka nichod doon
kas baahon mein aa tod doon
chahoon kya jaanoon na,
chheen loon,
chood doon

It's the voice of my helplessness
At this time, it's out of control..
should I make squeeze out the wishes,
come I'll break you tight in my arms
I don't know what I want,
should I snatch,
should I let go..

is lamhe kya kar jaaoon
is lamhe kya kar jaaoon
is lamhe kya kar doon main jo mujhe chain mile aaram mile
aur ho aur ho saans ka shor ho aanch ki or badhe
aur ho aur ho saans ka shor ho taap ki or chadhe
aur ho aur ho aur mile hum aur bhi jal jaayen

what can I do at this moment
what can I do at this moment
what should I do at this moment do that I get peace, relaxation..
there should be more, more noise of breaths and move towards the flame,
there should be more, more noise of breaths and rise towards the heat,
there should be more, we should get more and we should burn even more..

tujhe pehli baar main milta hoon, har dafa
meri bebasi ka bayaan hai (O soniyaa)
tujhe chheen loon ya chhod doon
tujhe maang loon ya mod doon

I meet you for the first time, every time,
it's the voice of my helplessness (O my love)
should I snatch you or leave you,
should I ask for you or let you go another way..

is lamhe kya kar jaaoon
is lamhe kya kar doon main jo mujhe chain mile aaram mile
aur ho aur ho saans ka shor ho aanch ki or badhe
aur ho aur ho saans ka shor ho taap ki or chadhe
aur ho aur ho aur mile hum aur bhi jal jaayen

main hasrat mein ik uljhi dor hua
suljha de
main dastak hoon tu band kivadon sa
khul ja re ho..
o bebasi man mein basi
aa jeete jeete jee le sapna
aur ho aur ho saans ka shor ho aanch ki or badhe
aur ho aur ho aur mile hum aur bhi jal jaayen

I have become a string tangled in wish,
untangle me..
I am a knock and you are like closed doors,
open..
O helpness staying in the heart,
come, live and while living, live the dream..
there should be more, more noise of breaths and move towards the flame,
there should be more, we should get more and we should burn even more..

roke se na ruke, ye na thake,
aandhi si jo chale, in saanson ki,
pata bhi bina chale, kahan pe kya jale
hai dar se tan man ki sihran se hasrat ki sulgan si
bhadke aur..
shola shola jale bujhe dhuan dhuan
dhuan dhuan lage mujhe dhuan dhuan..
meri bebasi ka bayaan hai...

even on stopping it does not stop,
when a storm of breaths starts,
no one knows what burns where,
there is burning of wish due to shivering of body n soul because of fear
it should burn more..
only fireballs should burn and not smoke,
smoke feels smokey to me,
it's the voice of my helplessness..

Jo Bhi Main Kehna Chahoon: Lyrics, Translation (Rockstar Movie)

Movie: Rockstar
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Mohit Chauhan

Ya ya ya.. Ya ya ya ye hmm..
Ya ya ya ye hm.. (Ya ya ya..)
O yay ye (O Yay ye..)
Ya ya ya ya.. (Ya ya ya ya..)
O o o .. (O o o ..)
O o o o.. (O o o o..)

Jo bhi main kehna chahoon
Barbaad karen alfaaz mere
Alfaaz mere

Whatever I want to say,
it's ruined by my words..
my words..

O ya ye..
Ya ya ya ye...

jhal jhal jhal re jhal..

Kabhi mujhe lage ki jaise
Saara hi ye jahaan hai jaadu
Jo hai bhi aur nahi bhi hai ye
Fiza, Ghata, Hawa, Baharein
Mujhe kare ishaare ye
Kaise kahoon
Kahani main inki

sometimes I feel that
the whole world is a magic,
which is there and not even there,
these wind, clouds, air, and springs..
They signal to me,
how do I say
their story..

Jo bhi main kehna chahoon
Barbaad karen alfaaz mere
Alfaaz mere

O ya ye..
O ya ya ye..

Maine yehi socha hai aksar
tu bhi main bhi sabhi hain sheeshe
khud hi ko hum sabhi mein dekhen
nahi hoon main hoon main to phir bhi
sahi galat tumhara main
mujhe paana paana hai tumko

I have often thought,
that you, me, all of us are mirrors,
we see only ourselves in all,
I am not there still I am..
right, wrong, yours me,
I have to get.. get you..

Jo bhi main kehna chahoon
Barbaad kare alfaaz mere
Alfaaz mere..

Phir se Ud Chala: Lyrics, Translation (Rockstar Movie)

Movie: Rockstar
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Mohit Chauhan

Phir se udd chala
Ud ke chhoda hai jahaan neeche main tumhare ab hoon hawale
ab door door log baag meelon door mil waadiyaan

I flew up again,
I have flown and left the world below, now I am all yours,
now people are miles away and all the valleys are away..

Phir dhuaa'n dhuaa'n dum bhar har badli chali aati hai chhoone
Par koi badli kabhi kahin kar de tan geela ye bhi na ho..

again some cloud, filled with smoke (steam), comes to touch
but some cloud might get my body wet, it never happens..

Kisi manzar par main ruka nahi
Kabhi khud se bhi mein mila nahi
Ye gila to hai main khafa nahi
Shehar ek se gaa'nv ek se
Log ek se naam ek ooo..

I never stopped at any scenery,
I never met even myself,
I have this complaint but I am not angry,
all cities are same, villages same,
people are same and same names..

Phir se ud chala
Mitti jaise sapne ye kitna bhi palko se jhaado
Phir aa jaate hain
Itne saare sapne kya kahoon kis tarah se maine
tode hain chhode hain kyun
Phir se tichhle michle nikude ye kyun

I flew up again,
these earth-like dreams, however much you dust them from eyelids,
they come back..
So many dreams, how should I say I have-
broken, left, and why..
Now why are they stirring again..

Kabhi daal daal kabhi paat paat
Mere saath saath phire dard liye
Kabhi sehra kabhi saawan
Banu raawan kyun mar mar ke
Kabhi daal daal kabhi paat paat
Kabhi din hai raat kabhi din din hai
Kya sach hai, kya maaya hai daata

sometimes from branch to branch, sometimes leaf to leaf,
with me, it goes, in pain,
sometimes desert, sometimes rainy season,
why should I become Raavan (villain) bearing with so much trouble,
sometimes from branch to branch, sometimes leaf to leaf,
sometimes day is night and sometimes day is day..
what is truth and what is a mirage, oh God..

Idhar udhar titar bitar
Kya hai pata hawa le hi jaaye teri ore
Kheenche teri yaadein
Teri yaadein teri ore

Here and there, scattered,
who knows may be wind takes me in your direction,
your memories draw me,
draw me in your direction..

Rang birange mehlon mein
Main udta phiroon
Rang birange mehlon mein
Main udta phiroon

I fly in colorful palaces..
I keep flying in colorful palaces..

Rockstar Songs Review (2011, A R Rahman, Mohit Chauhan)

Rockstar starts with Mohit Chauhan singing Phir se ud chala. The song, that starts with a relatively light mood and gets a breezy effect from Mohit, like the words of the song, gets remixy by the end, actually a nice experiment that will catch on slowly. One very interesting part of the song, though, was the background vocals in the beginning and end.

Jo bhi main kehna chahoon, barbaad karen alfaaz mere. Frankly, I am a fan of this one line written by Irshad Kamil. And then A R Rahman in an experimental mood, composing like there is someone actually singing at a concert. And Mohit Chauhan singing that. I don’t think there was anything more required, but still, the song has a lovely video as an add-on. Seems I wrote a lot just praising the song, but guess it’s worth that. Do listen.

Katiya Karoon. Dangerous words. Rocking

music. And superb vocals by Harshdeep. If she has managed to be not famous even after Rang De Basanti, this time Rahman is definitely gonna make her known. DO listen.

is once again Rahman at his regular divine stuff. I sometimes wonder how Rahman is so easily able to create such wonderful songs in the same segment, one after the other, and all of them equally great. Yes, good is a small word here.

The next, Sheher mein, is a Very exceptional number, where one person tells how to sing, that is what to do, followed by lines, followed by Ranbir that is Mohit singing them again. While Karthick sings the song as a regular singer, Mohit takes every line in a stylish mood and you just enjoy the difference.

Hawa hawa, featuring Rahman’s Foreign language gang with Mohit Chauhan, has an Arabian touch in its music and arrangements, while Mohit again sings with some more experimentation. Wondering how much of experiment is going to be there with his voice in just one album. Not a quick catch, may be interesting with a video though, as the song has some interesting words with a conversational style.

Aur HO, the next song, that begins with Alma Ferovic’s voice, is the first true rock number of the album. Even though the background of the song is quite light in most of the song and has a very familiar Rahman touch, but Mohit’s voice gets incredibly high in some places, like an all new rockstar. Do listen for a nice glimpse of that old Rahman.

Rahman and Mohit’s O Naadan Parindey, which is already a lovely composition in itself, has got a LOT of experimentation done by Rahman in background and foreground, and unless you listen to the song a few times you’ll find a song a little difficult to follow. But whatever you do or do not, make sure you listen to Kaaga re kaaga re part sung by Mohit. Lovely, no, Very lovely one.

When I heard the 30 second preview of Kavita Krishnamurthy Subramaniam’s Tumko pa hi liya, I thought of it as a very regular song, and was wondering if Rahman should have given it to Madhushree to making it a little more interesting.

I was wrong.

Rahman makes a lovely slow number with a nice, light Indian-Western fusion with a lot of Tabla, while Kavita just sings the slow, long melody in the foreground. A song that will take some hours to get on, and a lot, lot more to get off.

Next to next after tum ko, comes tum ho, almost the same tune sung by Mohit Chauhan, with all different style and arrangements, so much so that it’s difficult to guess its the same song if you’re listening to both for the first time. Mohit sings the song much more beautifully, but not taking much away from Kavita’s version as what she sings is again equally different.

Tango for Taj, the three minute instrumental, is a common, but nice, and to some extent engaging track that one would actually like to dance on. While Dichtomy of Fame, based on Shehnai and guitars, is one instrumental piece in long time I really liked, even though I don’t think I have much of an ear for instrumental pieces.

The last track, The Meeting Place, is rendition of a single sentence by Ranbir, based on Rumi’s poem. All I have to say is that if they had not given this one, people probably would ask for it after watching the movie.

And if you are wondering where is Sadda Haq, it’s between Kavita’s Tum ko, and Mohit’s Tum ho, but had decided to avoid until the end. Have still to play it.

Orianthi. Superb guitars from the first second.

Besides that, I don’t know much about Sadda Haq aithe rakh. The song is completely anthem-ish. And it gives you a high like it should, even though the best part of the song is already listened by almost everyone, tens of times in my case. The song is expected to do well everywhere, including country, overseas, in Punjab and out of it (talking of the language), on youtube, and probably even on your website if you put it there. You can listen to it while exercising, or getting ready for an exam. If you’re going for some protest, it’s a must have, be it social, political, or emotional. In short, Sadda Haq aithe rakh is a song for many seasons. And you can probably buy the CD for this song alone.

Enough said.